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མཆོད་རྟེན་གྱི་གཟུངས།

The Dhāraṇī for a Caitya

Caityadhāraṇī
ཤེས་པ་ཐམས་ཅད་མཐར་ཕྱིན་པར་གྲུབ་པའི་མཆོད་རྟེན་ཞེས་བྱ་བའི་གཟུངས།
shes pa thams cad mthar phyin par grub pa’i mchod rten zhes bya ba’i gzungs
The Dhāraṇī for a Caitya Perfectly Constructed with Complete Knowledge
Sarva­prajñāntapāramitā­siddha­caitya­dhāraṇī
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Toh 601

Degé Kangyur vol. 90 (rgyud ’bum, pha), folios 260.a–266.b

Translated by Julian Schott
under the patronage and supervision of 84000: Translating the Words of the Buddha

First published 2023
Current version v 1.1.1 (2023)
Generated by 84000 Reading Room v2.17.7

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co.

Table of Contents

ti. Title
im. Imprint
co. Contents
s. Summary
ac. Acknowledgements
i. Introduction
tr. The Translation
+ 1 section- 1 section
1. The Dhāraṇī for a Caitya
n. Notes
b. Bibliography
+ 2 sections- 2 sections
· Primary Sources
· Secondary Sources
g. Glossary

s.

Summary

s.­1

The Dhāraṇī for a Caitya is a short manual on the ritual preparation for and casting of small caityas from clay. The ritual has three main parts: a description of the general transformative power of the dhāraṇī, the preparation rituals for the ground and clay, and rituals for the consecration of the cast images. The main dhāraṇī, with the name vimaloṣṇīṣa, “stainless uṣṇīṣa,” was widely used in central and northeast Asian Buddhism, especially in the context of purification, consecration, and inauguration rituals.


ac.

Acknowledgements

ac.­1

This translation was produced by Julian Schott. Wladislav Ermolin and Jim Rheingans also contributed to the translation with advice on challenging passages.

The translation was completed under the patronage and supervision of 84000: Translating the Words of the Buddha.


i.

Introduction

i.­1

The Dhāraṇī for a Caitya Perfectly Constructed with Complete Knowledge1 is a dhāraṇī text that teaches detailed preparations for the construction of caityas (mchod rten), specifically the preparation of small caityas from clay, one form of tsha-tsha as they are commonly known in Tibet. The main dhāraṇī to be recited while crafting these small caityas is called the vimaloṣṇīṣa (“stainless uṣṇīṣa”) dhāraṇī, and is famed for its use in consecration and inauguration rituals. The vimaloṣṇīṣa dhāraṇī has a long history in India, as evidenced by its discovery on birch bark fragments from Gilgit dating to the seventh century2 as well as by its inclusion in numerous small caityas and seals discovered at Bodh Gayā that date between the eighth and eleventh centuries3 and in caityas and dhāraṇī seals found at Nālandā, Ratnagiri, Paharpur, and Udayagiri.4 In addition, its discovery on clay seals as far as Indonesia5 and manuscript fragments found at Dunhuang6 suggest that the fame of this dhāraṇī extended well beyond India.

i.­2

There are two dhāraṇī texts in the Kangyur that have been (and still are today) the principal works employed in Tibetan rites for the consecration and inauguration caityas and stūpas. They are known as the “two stainless ones,”7 The Radiance of the Stainless Uṣṇīṣa (Raśmivimaloṣṇīṣa­prabhāsa, Toh 599) and The Dhāraṇī of Pure Stainless Light (Raśmivimalaviśuddha­prabhā­nāma­dhāraṇī, Toh 510). It is the first of these that is considered the main canonical text introducing and featuring the vimaloṣṇīṣa dhāraṇī. It relates the narrative of how the dhāraṇī, emanated from the Buddha’s uṣṇīṣa, was first taught when a Trāyastriṃśa god was about to die and fall to the lower realms.8 The Buddha explains how it should be placed in caityas with a series of offerings and recitations in order to prolong life and purify the karmic causes of lower rebirth. The vimaloṣṇīṣa dhāraṇī is also counted as one of the “five great dhāraṇīs” (gzung chen sde lnga) used in consecration rituals in Tibet.9

i.­3

The present text, although it contains its own, different narrative, is in some ways a more practice oriented manual, detailing the use of the same dhāraṇī specifically for the preparation of minature caityas, and can perhaps be seen as a derivative work of The Radiance of the Stainless Uṣṇīṣa itself. Nevertheless, in contrast to the primary title given at the beginning of the text, the colophon to The Dhāraṇī for a Caitya names it simply The Vimaloṣṇīṣa Dhāraṇī. The exact wording of the dhāraṇī itself in this text differs slightly from the version in The Radiance of the Stainless Uṣṇīṣa.


i.­4

The Dhāraṇī for a Caitya begins with Vajradhara residing in a celestial caitya whose structure will be mirrored in the caitya maṇḍala taught later in the text. From this seat, he emits rays of light from his uṣṇīṣa and heart center to bless the universe and all the beings in it, filling the sky with images of dharmakāya caityas. Moved by this powerful display, Vajrapāṇi and the other bodhisattvas in attendance ask Vajradhara for instruction on the vimaloṣṇīṣa dhāraṇī used to bless caityas. Vajradhara acquiesces, proceeding to teach the dhāraṇī along with variations to be used in specific scenarios. He then lauds the benefits of using the dhāraṇī when constructing caityas in general.

i.­5

Following this more general discourse on the use of the vimaloṣṇīṣa dhāraṇī, Vajradhara offers a series of instructions on making a maṇḍala of miniature caityas, beginning with the identification and purification of the site from which clay will be excavated and the preparation of the site where the caityas will be made. Once these preliminary steps are taught, Vajradhara describes the procedure for making the caityas, including the softening of the clay with a mallet, the forming of the individual balls of clay, the preparation of the caitya molds, the process of inserting or impressing the dhāraṇī and other mantra syllables into the clay balls, and the casting of the caityas. Each of these steps is accompanied by a mantra recitation and a visualization sequence.

i.­6

Once the process of making the caityas has been explained, Vajradhara teaches his audience how to decorate the caityas, how to arrange them into the maṇḍala pattern, and how to arrange the entire ritual site in preparation for the main consecration rite. The primary maṇḍala described consists of five caityas: a central caitya surrounded by four caityas in each cardinal direction. Vajradhara repeatedly notes that this rite can be performed on any number of caityas‍—a hundred, a thousand, or even more.

i.­7

After detailing these steps and their respective mantras and visualization sequences, Vajradhara proceeds to the final instructions on the main consecration rite. The practitioner, identifying themselves as Vajradhara, blesses the individual parts of the ritual site and maṇḍala through mantra recitation and visualization, makes offerings to the maṇḍala of caityas, and meditatively invokes the blessings of the five tathāgatas and the five families for each of the individual caityas. After completing this elaborate sequence, the practitioner is directed to recite the vimaloṣṇīṣa dhāraṇī for as long as they can.

i.­8

Vajradhara concludes his discourse by identifying the challenges a practitioner may face in performing such a complex rite, offering remedies and encouragement and extolling the benefits that come from practicing it completely and correctly.


i.­9

There is no known Sanskrit witness of The Dhāraṇī for a Caitya, nor does it appear to have been translated into Chinese. Lacking an Indic witness, little is known about its circulation and use in India. As noted above, the vimaloṣṇīṣa dhāraṇī, the core dhāraṇī employed in this text, enjoyed widespread fame in India and beyond, likely because it was transmitted in scriptures and ritual manuals such as this one. Nonetheless, there is no further information on or versions of The Dhāraṇī for a Caitya beyond its Tibetan translation.

i.­10

There is also little known about the provenance of the Tibetan translation of The Dhāraṇī for a Caitya. Among the numerous versions of the translation included in the Kangyur and other scriptural collections, none include a translator’s colophon that would provide information on its translators or the time and place in which it was translated. The text is not included in the imperial-period catalogs under its main title, but the Phangthangma (’phang thang ma) catalog does list a series of texts related to the vimaloṣṇīṣa dhāraṇī that cannot be correlated with extant Tibetan translations. Among them we find The Dhāraṇī-Mantra of the Radiant Stainless Uṣṇīṣa Together with Its Rite (’phags pa gtsug tor dri ma med par snang ba’i gzungs sngags cho ga dang bcas pa),10 which as the title indicates concerns the vimaloṣṇīṣa dhāraṇī in combination with ritual instructions for its use. Although this is more likely to be a reference to The Radiance of the Stainless Uṣṇīṣa (Toh 599) as mentioned above, it may possibly refer instead to The Dhāraṇī for a Caitya under a different title, as this text does describe an elaborate ritual that employs the vimaloṣṇīṣa dhāraṇī. If that were the case, it would indicate that The Dhāraṇī for a Caitya was translated prior to the Tibetan empire’s collapse in 843.11 As noted above, The Dhāraṇī for a Caitya appears to be known by multiple titles, yet another of which might be the title found in the Phangthangma. The colophon of the text translated below identifies it as The Vimaloṣṇīṣa Dhāraṇī, and both the Phukdrak (phug brag) and Lang do (lang mdo) Kangyurs provide the alternate Sanskrit title Vimaloṣṇīṣa­sarva­caitya­nāma­dhāraṇī, which can be tentatively translated as The Dhāraṇī Called the Stainless Uṣṇīṣa for All Caityas.

i.­11

The Dhāraṇī for a Caitya is also found in two paracanonical collections: The Extensive Collection of Early Translations of Canonical Scripture of the Nyingma (rnying ma) tradition12 and The Collection of Maṇḍala Rituals from Old and New Exemplars at Palpung of the Kagyü (bka’ brgyud) school.13 In both cases the Tibetan translation bears the same title as that found in the majority of Kangyurs, shes pas thams cad mthar phyin par grub pa’i mchod rten zhes bya ba’i gzungs.

i.­12

As is often the case with dhāraṇī literature, The Dhāraṇī for a Caitya is preserved in two locations in the Degé Kangyur. Toh 601 is found among the Kriyātantras in the Tantra section (rgyud ’bum), while Toh 884 is located in the Collection of Dhāraṇīs (gzungs ’dus). Apart from a few scribal variations, these two versions are identical.

i.­13

The Degé versions of the Tibetan translation serve as the primary witnesses for this translation. The versions found in the Stok Palace (stog pho brang) and Phukdrak Kangyurs were also consulted closely, as were the annotations reported in the Comparative Edition (dpe bsdur ma) of the Degé Kangyur. Additionally, the version preserved in The Extensive Collection of Early Translations of the Nyingma tradition was studied as a representation of the text from a paracanonical source. No substantive differences were found among these numerous witnesses.

i.­14

The dhāraṇīs used in this text have been preserved as cited in the Degé witness, with only minor emendations to correct obvious orthographic errors. An important exception is the main dhāraṇī, the vimaloṣṇīṣa dhāraṇī, for which we have Sanskrit witnesses. There are, naturally, some differences between the dhāraṇī as reported in the different Sanskrit sources and the Degé witness. Thus, when possible and warranted, the Degé has been emended to align with the Sanskrit witnesses when the latter preserve the clearer reading.


The Dhāraṇī for a Caitya

1.

The Translation

[F.260.a]


1.­1
Homage to the Three Jewels.
Homage to the Blessed One, Vajradhara.
Homage to the blessed, thus-gone, worthy, perfect Buddha, the king with majestic power over the mode, discipline, and miraculous display of all things.
1.­2
Homage to the buddhas of the three times!
Homage to the virtuous Three Jewels!
I pay homage to Akṣobhya,
Amitābha, and Avalokiteśvara!
Homage to the three families!14

1.­3

Thus did I hear at one time. The Blessed One, the great Vajradhara, was dwelling in a great caitya with a central palace made of various precious substances surrounded by four immeasurable caityas. It sat atop a foundation that had the nature of a caitya and was made from the five kinds of materials from the great Mount Meru.15 The nature of this great caitya was such that even the space above its summit had the quality of a caitya. He was dwelling there together with Vajrapāṇi, Mañjuśrī, Avalokiteśvara, Maitreya, and other bodhisattvas of the tenth level, [F.260.b] as well as the protectors of the pure abodes, including Brahmā, Śakra, and the Four Great Kings.16

1.­4

Then, a total of sixty quintillion17 light rays of various colors were emitted from the Blessed One’s uṣṇīṣa, the śrīvatsa at his heart, and other places. The great brilliance of these light rays pervaded all the incalculable, inconceivable, and inexpressible realms of the trichiliocosm, filling them like a heap of mustard seeds. All those among the infinite number of beings who were blind could now see forms, those who were deaf could hear sounds, those who stuttered could speak clearly, those with a limp or who had trouble walking could walk, those who were paralyzed and those who were sick were freed from their illness, hell beings had their lifespans reduced and were gradually freed from their torment, and all beings gradually became contemplative. The entire sky filled with dharmakāya mind-caityas, which grew in size. The rays of light then reentered the Blessed One’s uṣṇīṣa, turning into a representation of the dharmakāya.

1.­5

Vajrapāṇi and the rest of the entourage were astonished, and they worshiped the Blessed One with offerings of canopies, banners, flags, parasols, fly whisks, bells, silk scarves, incense, flowers, garlands, unguents, lamps, food, music, and the like. They asked the Blessed One, “Please, Blessed One, protector of beings who possesses great compassion, teach the vimaloṣṇīṣa dhāraṇī,18 the great spell used in the rite for blessing a caitya.”

1.­6

The Blessed One replied, “Here is the vimaloṣṇīṣa dhāraṇī, the great spell used in the rite for blessing a caitya. [F.261.a] Any son or daughter of noble family who understands, upholds, writes, reads, or makes its title known will entirely purify the five acts with immediate retribution, the ten unwholesome deeds, and any other negative actions they have performed. This is the vimaloṣṇīṣa, the great spell used in the rites for blessing a caitya:

1.­7

oṁ traiyadhve sarva­tathāgata­hṛdayagarbhe jvala dharmadhātu­garbhe saṃhāraṇa āyuḥ saṃśodhaya19 pāpaṃ sarva­tathāgata­samantoṣṇīṣavimale viśuddhe svāhā.20

1.­8

Immediately after he spoke this great spell, all the realms of the world took on the nature of a caitya. If this great spell is written on birch bark, cloth, or other tree bark and affixed to the top of a banner, the banner will become worthy of worship, one that is honored and venerated by all gods, humans, and the like. If this great spell is affixed to someone’s body or neck, gods, humans, asuras, and the like will see that person as a buddha. If one recites this great spell when traversing rugged mountains, forests, isolated places, or other landscapes, all those mountains and landscapes will be like a caitya.

1.­9

If one recites oṁ traiyadhve sarvatathāgatahṛdayagarbhe jvala dharmadhātu­garbhe saṃhāraṇa21 āyuḥ saṃśodhaya pāpaṃ sarva­tathāgata­samantoṣṇīṣavimale viśuddhe mahāvirajera gambhīrasi dharmadhātugarbhe vivisāra a a laṁ svāhā,22 the entire ground will take on the nature of a caitya.

1.­10

If one utters this great mantra spell when crossing any body of water‍—such as a river, lake, or ocean‍—all that water will take on the nature of a caitya. After reciting oṁ traiyadhve sarva­tathāgata­hṛdayagarbhe jvala dharmadhātu­garbhe saṃhāraṇa āyuḥ saṃśodhaya pāpaṃ sarva­tathāgata­samantoṣṇīṣavimale viśuddhe mahā­virajera gambhīrasi dharmadhātu­garbhe vivisāra a māmaki svāhā,23 [F.261.b] all water will take on the nature of a caitya.

1.­11

Additionally, when one casts this great spell in a way that pervades the whole of space, all of space will also take on the nature of a caitya. When reciting oṁ traiyadhve sarva­tathāgata­hṛdayagarbhe jvala dharmadhātu­garbhe saṃhāraṇa āyuḥ saṃśodhaya pāpaṃ sarva­tathāgata­samantoṣṇīṣavimale viśuddhe mahā­virajera gambhīrasi dharmadhātu vivisāra a a e khaṃ ya svāhā,24 all of space will take on the nature of a caitya and become worthy of veneration, circumambulation, and worship.

1.­12

If one recites the vimaloṣṇīṣa dhāraṇī when making caityas from any of the five great elements, it purifies all afflictions and obscurations. Moreover, when a caitya is made with materials such as earth, wood, rock, mud, or clay onto which this mantra spell has been cast, those materials will produce a caitya made of various precious substances. When oṁ ratnacaitye pañcaye vivisāra svāhā25 is recited, cow dung and similar materials can be applied to result in a caitya made of various precious substances. If this great spell is not cast, even if one intends to fashion a caitya from gold, silver, lapis lazuli, and the rest of the seven precious substances, it will be no different than one made of stone, wood, or clay. Why? Because the blessing of the mantra and essence mantra will not have entered the nature of these materials. When blessed with the great spell, however, even a caitya made from any of the five great elements will purify the stains of the obscurations from incalculable eons so that one will be born into a householder family as great as a sal tree and go on to obtain the stage of nonregression. If one makes a caitya from stone, wood planks, and the like after blessing them with this great spell, there is no doubt that one will be born into a brahmin family as great as a sal tree, [F.262.a] gradually traverse the ten stages, and obtain the eleventh stage, Universal Light.26 If one makes a caitya from gold, silver, lapis lazuli, and the like after blessing them with this great spell, there is no doubt that one will be born into a kṣatriya family as great as a sal tree and go on to obtain the stage of Vajradhara. Furthermore, if this great mantra spell is cast when making a single caitya, it will be as if ten million were made. If this great spell is not cast, even if ten million caityas are made it will be as if they are just one. Why would this be the case? The answer is the same as before.

1.­13

The mantra for the great spell is tadyathā sūkṣme sūkṣme śānte śānte nirākule yaśo tejo sarvabuddhe adhiṣṭhāna adhiṣṭhite anumide svāhā.27 Its procedure is as follows: if one makes a single caitya from a lump of clay after reciting the spell over it twenty-one times, it will be as if ten million are made. The corresponding amount and benefit of making a hundred cannot be expressed, even by the arhats among noble śrāvakas. The corresponding amount and benefit of making a thousand cannot be expressed, even by bodhisattvas. The corresponding amount and benefit of making ten thousand cannot be expressed, even by the tathāgatas. The corresponding amount and benefit of making a hundred thousand cannot be expressed, even by the tathāgatas of the three times and ten directions.

1.­14

For these reasons, one should perform the ritual offering, including the five supports for offering.28 First, the local deities should be appeased at the site where the caityas will be made, where the clay for the caityas will be stored, and where the clay for the caityas will be excavated. Next, a boundary should be created to thwart any ill-intentioned obstructing spirits who live there and would disrupt the caitya and its virtue. To infuse a thread with the mantra of this great spell, recite oṁ vajrasūtra hūṁ phaṭ29 while visualizing a thread to be a vajra thread. [F.262.b] The area that encompasses the site for the caitya and the area that encompasses the site where the clay is located should be demarcated with the thread. When the ground is demarcated in this way, the specific patch of ground will take on the qualities of the various precious substances that are used for a caitya.

1.­15

In the same space, one should next cast the great spell oṁ vajrakīli kīli kīlaya sarvaduṣṭam hūṁ phaṭ30 on a rosewood stake that is eight fingers long. After reciting it seven times, one should visualize it as a vajra stake and plant one in the center and at the four corners of the demarcated area. If done in that way, one will be protected from all humans and nonhumans, unless their actions are the result of the ripening of previous karma. The rosewood stake should remain in the ground where the clay for the caitya is located and should not be removed for any reason until the clay is taken.

1.­16

After that, cast the spell oṁ amṛte hana hana hūṁ phaṭ31 on sesame seeds and white mustard seeds. It should be recited seven times, and the seeds should be scattered over the site. By doing so, this specific area will become the immeasurable seat of the tathāgatas.

1.­17

Once the area has been blessed as the seat of the tathāgatas, the boundary against ill-intentioned obstructing spirits should be set by offering incense, flowers, oblations, and the like to the devas, nāgas, and asuras who reside in the area and then dedicating the merit. The area will be auspicious and blessed after the vimaloṣṇīṣa dhāraṇī has been recited.

1.­18

Next, when digging up the clay for the caitya, one should dig while reciting oṁ vajra khana khana hūṁ phaṭ.32 Digging while reciting this and visualizing the area as composed of the five precious substances will transform it into the pure body of the Tathāgata.

1.­19

The clean earth that has been excavated should then be placed in a purified area, and the rite of pounding the earth should be performed. One should form the gesture of Amṛtakuṇḍalin over a mallet, press it with a three-pronged vajra,33 and cast the great spell vajramudgara ākoṭaya ākoṭaya hūṁ phaṭ34 while pounding the earth. [F.263.a] After pounding the earth while reciting this seven times and visualizing the mallet as a vajra mallet, all afflictions and habitual tendencies will be purified and defeated.

1.­20

Next comes the kneading of the clay. After touching scented water with the gesture of Amṛtakuṇḍalin, one should imagine the nature of reality as a white syllable a within the scented water. A bright moon disk appears from the syllable, shining with intense rays of light that pervade the scented water. Imagining that the scented water has taken on the nature of nectar, recite the great spell oṁ amṛte hūṁ phaṭ. After blessing it with seven recitations, the scented water will be like a stream of great nectar.

1.­21

One should then recite the following great spell for kneading the clay: oṁ vajra pramardanaya hūṁ phaṭ.35 After reciting it seven times, the clay will become the body of the Tathāgata. Now that the clay has been blessed as the inconceivable body of the Tathāgata, one should form the gesture of Amṛtakuṇḍalin over it while reciting the following great spell: namo ratna­trayāya tadyathā sūkṣme sūkṣme śānte śānte dānte dānte nirākule yaśo yaśovati tejo śuddhe viśuddhe sarva­tathāgata adhiṣṭhāna adhiṣṭhite ā namaḥ te hite svāhā.36 Once one has recited this great spell in three sets of seven, totaling twenty-one times, and blessed the clay with the great mantra spell, five kinds of wisdom-light rays will radiate from the clay into the ten directions and tame all beings as needed. The rays of light then return, causing the clay to take on the nature of the five precious substances and endowing it with the causes and conditions for the inconceivable body of the Tathāgata. This is what one should imagine. [F.263.b]

1.­22

The following great spell should then be recited seven times while preparing balls of clay: oṁ vajra āyuṣe svāhā.37 Once blessed in this way, clouds of wisdom-light rays will radiate from the clay balls, pervade the limitless realms of the ten directions, and fulfill the aims of many beings. The clouds of light rays will then gather back into the clay balls, purifying them so that they are like crystals with the nature of precious wisdom. This is what one should imagine.

1.­23

Next, the seal of the vimaloṣnīṣa essence mantra is pressed into the clay balls, or the mantra is written on birch bark, cloth, paper, or any bark and inserted into them. The essence mantras of each of the five families‍—oṁ hūṁ trāṁ hrī āḥ38‍—should be incorporated into the vimaloṣṇīṣa mantra so that they are joined as a pair, and then either affixed as a seal or inserted as a written mantra as appropriate. The ball of clay will then possess the wisdom mind of the Tathāgata. When inserting the spell, one should recite the mantra oṁ vajragarbhe svāhā.39 Once recited, the wisdom mind of all the tathāgatas will be gathered within it and fixed. This is what one should imagine.

1.­24

After that, one should recite the great spell for anointing the interior of the caitya mold with the oil of white mustard seed or sesame oil: oṁ araje viraje svāhā.40 Once this has been recited three times and the blessing conferred, the caitya will become a dharmadhātu caitya through the union of means and wisdom. This is what one should imagine.

1.­25

Then, when pressing the caitya, one should recite the great spell oṁ vajra­mudgara ākoṭaya ākoṭaya hūṁ phaṭ.41 Once it has been recited and the caitya pressed, it will become a dharmakāya caitya through the union of space and nondual wisdom. Because the caitya is made using the vimaloṣṇīṣa essence mantra in whichever form,42 it will become an infinite dharmakāya caitya through the union of space and nondual wisdom. [F.264.a]

1.­26

One should next extract the caitya while reciting the great spell for removing it from the mold: oṁ dharmadhātuye svāhā dharmadhātugarbhe svāhā.43 The caitya is extracted after reciting this seven times, at which point it emerges as an infinite dharmakāya caitya through the union of space and nondual wisdom. It will fulfill, in an extraordinary manner, the aims of all beings in this world until saṃsāra is empty. This is what one should imagine.

1.­27

Once the caitya has been removed from its container, one should recite the great spell for the ring.44 After reciting oṁ pramāṇaye svāhā45 and setting the ring, it should be adorned with a precious parasol, precious pinnacle, precious banner, silk streamers, and other ornaments. Ornamented with the various qualities of nirvāṇa, it will benefit beings according to their wishes. This is what one should imagine.

1.­28

Then, when the caitya is covered with a cloth, one should recite the great spell oṁ dharmadhātu­svabhāva viśuddhe dharma te svāhā.46 If one repeats this spell many times, the caitya will signify the pure dharmadhātu.

1.­29

If the maṇḍala of prepared caityas consists of five caityas, one should draw a maṇḍala with a central space and spaces in the four directions, totaling five. When making any number of caityas‍—be it a hundred or a thousand‍—construct a stone base with a number of maṇḍala squares corresponding to the number of caityas.47 It should be a square maṇḍala made of earth, stone, wood, and so forth. The throne beneath it can be a lion throne, a jewel throne, or a lotus throne. Once this base has been made, it should be sprinkled with cow dung mixed with scented water.

1.­30

Water infused with saffron and sandalwood should be smeared in a circle to encompass the entire area where the central caitya and caityas in the four directions will be placed. [F.264.b] Use thread to demarcate and then draw the maṇḍala.48 When drawing a maṇḍala for five caityas, draw a maṇḍala with five spaces‍—a central space and spaces in the four directions. In the same way, the lines of the vajra grid should be used to demarcate the space into maṇḍala squares corresponding to the number of caityas, be they one hundred or one thousand. An eight-petaled lotus should be drawn in each of the spaces where a caitya is to be placed.

1.­31

Then, once the caitya maṇḍala has been set up, the request to remain is made using the mantra spell oṁ supratiṣṭha stūpe svāhā.49 After reciting this three times and setting out the caitya, it will function extraordinarily to serve the aims of oneself and others. The sequence for arranging the caityas is as follows: the first is placed in the center, then one proceeds sequentially to set one in the east, south, west, and north. The great spell to be recited while placing them is oṁ vajra­padmasamaye svāhā.50 After reciting it three times, say, “please be seated on the vajra and lotus seat” while imagining that everything‍—the ground, the expanse of the sky, and the depths of the sea‍—is filled with caityas. Alternatively, one offers incense, flowers, and the rest of the fivefold offering and makes the request to remain after each caitya is made and placed in the maṇḍala.

1.­32

The color of the caityas and other features are painted observing the following correspondences: white for pacification, yellow for increasing, red for magnetizing, and green for protection.51 The cloth should follow the same scheme. This is what one should imagine.

1.­33

Next, the maṇḍala of caityas should be blessed. One should recite the mantra of the great spell hūṁ raṃ svāhā, which has emerged from the red syllable raṃ located above the maṇḍala. [F.265.a] After reciting it three times, a great flame of the wisdom of suchness will burn fiercely, purifying the concepts in those places52 so that the very foundation of the maṇḍala will be made of the five precious substances. This is what one should imagine.

1.­34

One should next recite the great spell oṁ a candra­maṇḍala hūṁ phaṭ,53 which emerges from the place where a white syllable a stands in the center of the fivefold, hundredfold, or thousandfold maṇḍala grid. After reciting it an equivalent number of times,54 each cell becomes a moon-disk seat for a caitya. This is what one should imagine.

1.­35

After that, when performing the maṇḍala rite one should face either east or west, whichever is easier, and use one’s samādhi to transform oneself into the great seal, the form of Vajradhara.

1.­36

Above a moon disk at the heart, one should create a five-pronged vajra that emits an effulgence of wisdom light. These rays of wisdom light radiate from every pore on one’s body, spreading infinitely like cloud banks of buddhas and their maṇḍalas. They bless all the realms of beings, fulfill their aims, and then dissolve back into one’s body. This is what one should imagine.

1.­37

Next is the generation of the caitya palace. One should form the vajradhātu55 gesture over the caitya placed in the maṇḍala, touch the top of the caitya, and then recite the mantra for the great spell: oṁ vajra­dhātu adhitiṣṭha hūṁ.56 Through this blessing, the caitya will be established in the center of a moon seat upon a dharmadhātu maṇḍala and a ground made of precious substances, all within a palace composed of various precious materials.57 This is what one should imagine.

1.­38

Once each caitya has been prepared in this way, set out, and presented with different kinds of offerings, one should recite the spell for purifying different kinds of offerings, including lion banners, cooked rice, [F.265.b] arrangements of fine foods and the like, canopies, streamers, parasols, garlands, fragrances, lamps, and incense:58 oṁ sarvapūja puṣpe svāhā.59 After it has been recited, its blessings will cause the offerings to amass as marvelous Samantabhadra offering clouds and fall like rain. This is what one should imagine.

1.­39

The five kinds of offerings to a caitya should be presented one by one, and they should be offered as individual gifts to the extent one is able, even if the cloth is small, the canopies are frayed and so forth, and the parasols are small. While the rite is being performed, one should clarify one’s samādhi, one’s continuity of experience. To do this one should recognize and imagine that the five caityas‍—those in the center and four directions‍—share the extraordinary colors, ornaments, attributes, and retinues of the buddhas of the five families. One visualizes that those caityas, which are made of the five wisdoms, are pure and clear by nature, and that each letter of the vimaloṣṇīṣa dhāraṇī and the essence mantra of each of the five families in the center of those caitya vessels60 is brilliant and uniquely dazzling, like refined gold. The five families, in the form of infinite and multicolored rays of wisdom light, spread throughout the ten directions, adorning the infinite sky and the entirety of the dharmadhātu with clouds of tathāgata bodies. Having accomplished that, they bless all the realms of the world, serve the aims of all beings there, and fulfill their hopes. The rays of wisdom light return, strike the top of one’s head and heart, and purify anything that obscures awakened activity and so forth. One should imagine that one now has the nature of vajra body, speech, and mind.61

1.­40

Next perform the reception using offering water consisting of scented water mixed with various fragrances. [F.266.a] Form the gesture of the offering water, place the conch shell on it, and imagine that a white syllable a in the scented water transforms into a moon disk from which shine rays of light that grant the scented water the nature of wisdom nectar. One should then recite the great spell for making offerings: oṁ amṛte arghaṃ pratīccha svāhā.62 After reciting it, one should scent the pinnacles of the caityas three times by pouring the water.63 The noble ones will be pleased with this offering. This should be expressed with the words “May all noble ones be pleased.” Then, using the oceanic cloud gesture,64 the water should be sprinkled over the pinnacles, after which one imagines that it gathers in the wisdom body and all the marvelous initiations are conferred. After this, the vimaloṣṇīṣa dhāraṇī should be read aloud an appropriate number of times,65 the merit should be dedicated, and extensive aspirations should be made.

1.­41

If one finds it difficult to complete this rite as prescribed, one should transform one’s body using the samādhi of one’s personal deity and not let that intention weaken. One should recognize that the caityas and articles of worship are the nature of the dharmadhātu in their pure aspect. If one makes caityas in this way, it is the same as the extensive rite. There is no contradiction. If even this is not possible, one can make a caitya by reciting the vimaloṣṇīṣa dhāraṇī, keeping it in mind, writing it down, and carrying it with one. If one does this, it is in fact the extensive rite. Those caityas will be transformed into the body of the Tathāgata and will serve to benefit oneself and others in an extraordinary way. If one does not recite the vimaloṣṇīṣa dhāraṇī, even when offerings are made and power invested, no power will be conferred. This is also said in scripture:

1.­42
“When the nature of a mantra is not clear
For any spell or mantra,
And when the samādhi of realization is not clear,
All forms, including caityas and the like,
Will not be complete even when constructed.”66 [F.266.b]
1.­43

The qualities of a caitya and other images made by one who possesses secret mantra and realization are described as follows:

1.­44
In this sublime caitya rite,
Casting a single caitya incanted with this dhāraṇī,
Which is distinct for its generation of merit,
Is the same as making ten million.
1.­45
The five acts with immediate retribution and the mass of evil
Of those long in saṃsāra
Will all be cleansed,
So that they will have a miraculously long life.
1.­46
In all their lives to come,
They will be born into sublime and exalted families,
Possess supreme enjoyments,
And be born as universal monarchs.
1.­47
They will know all their past and future lives,
And in all worlds throughout the three times
1.­48
Will never be separated from the Three Jewels.
Unshaken by obstacles and harms,
They will succeed in their intentions
And in the end reach perfect awakening.
1.­49

This completes “The Vimaloṣṇīṣa Dhāraṇī.”67


n.

Notes

n.­1
This translation of the title follows the Lhasa, Narthang, Phukdrak, and Stok Palace versions in reading shes pa thams cad rather than shes pas thams cad as attested in the Degé version (and most others).
n.­2
von Hinüber 2018, pp. 229–30.
n.­3
Hidas 2021, pp. 88–94.
n.­4
Schopen 2012, pp. 283–84.
n.­5
Griffiths 2014, pp. 181–83.
n.­6
Scherrer-Schaub 1994, p. 712.
n.­7
Dorjee 1996, p. 23, n. 1.
n.­8
In fact, The Radiance of the Stainless Uṣṇīṣa contains two dhāraṇīs, long and short, the short one being introduced as the “essence” or “heart” (snying po) of the long one. The dhāraṇī in the present text corresponds to the shorter of the two.
n.­9
Scherrer-Schaub 1994, p. 722, n. 71; Bentor 2003, p. 24, n. 22.
n.­10
Kawagoe 2005, p. 19.
n.­11
Lalou 1953, p. 327.
n.­12
snga ’gyur bka’ ma shin tu rgyas pa, vol. 3 (ka), pp. 437–60 (BDRC W1PD100944).
n.­13
dpal spungs dpe rnying gsar bskrun las dkyil chog phyogs bsgrigs, vol. 10 (tha), pp. 373–96 (BDRC W3CN12210).
n.­14
In the context of Kriyātantra literature, the “three families” likely refers to the vajra, lotus, and tathāgata families.
n.­15
Tib. ri rab chen po sna lnga las grub pa. This translation is tentative.
n.­16
The term “pure abodes” (Skt. śuddhāvāsa; Tib. gtsang ris) typically refers to the five highest heavens in the form realm (Skt. rūpadhātu; Tib. gzugs khams). Here, however, the term appears to refer to a different set of heavens: the Sahā world, which is our own world, located at the base of Mount Meru and presided over by Brahmā; the Heaven of the Four Great Kings (Skt. Cātur­mahā­rājakāyika; Tib. rgyal chen rigs bzhi pa), located on the slopes of Mount Meru and presided over by Dhṛtarāṣṭra, Virūḍhaka, Virūpākṣa, and Vaiśravaṇa; and the Heaven of Thirty-Three (Skt. Trāyastriṃśa; Tib. sum cu rtsa gsum pa), located on the summit of Mount Meru and presided over by Śakra/Indra. The phrase “including” (Tib. la sogs pa) may indicate that gods from heavens higher than these are present as well.
n.­17
The exact number, taking brgya stong as a hundred thousand, khrag khrig as niyuta, i.e., a million, and bye ba as koṭi, i.e., ten million, would amount to 6 x 1018.
n.­18
The title of this dhāraṇī is left untranslated in the Tibetan text, a convention that is followed here. The name of the dhāraṇī would be translated as “the stainless uṣṇīṣa.”
n.­19
Emending the dative saṃśodhāya to the verbal imperative saṃśodhaya. This emendation is made in the subsequent formulas without further notation.
n.­20
This can be tentatively translated as “Oṁ, O you who have the innermost heart of all the tathāgatas of the three times, blaze! O you who have the essence of the dharmadhātu, gather vitality and purify negativity! You are pure, the stainless universal uṣṇīṣa of all tathāgatas, svāhā.” In the three repetitions of the spell that follow, an additional line is added, related respectively to the elements of earth, water, and space. With regard to the spell itself, see also Schopen 2005, pp. 334–38, von Hinüber 2018, p. 230, and Griffiths 2014, p. 182.
n.­21
In some of the extant Skt. witnesses of this dhāraṇī, the term here is saṃvara (“bind”).
n.­22
The lines appended here to the vimaloṣṇīṣa dhāraṇī can be tentatively rendered as “O great dustless one, enter into the deep essence of the dharmadhātu. Spread and expand. A a laṁ svāhā.” The remaining dhāraṇīs replicate this added line, changing only the final syllables to align with the respective element. This dhāraṇī uses a a laṁ for the earth element.
n.­23
The translation of this dhāraṇī is the same as above, with the addition of a māmaki to correspond with the water element.
n.­24
The translation of this dhāraṇī is the same as above, with the addition of a a e khaṃ ya to correspond with the space element.
n.­25
This spell can be tentatively translated as “Oṁ, suffuse the five used for a precious caitya, svāhā.”
n.­26
The eleventh stage (bhūmi) here refers to awakening, the stage of buddhahood. As is clear from the next line, this is not the final stage articulated in this text, as the “stage of Vajradhara” is considered distinct from the attainment of buddhahood.
n.­27
This can tentatively be translated as “It is so: Subtle, subtle, peaceful, peaceful, composed. Famous and bright. All buddhas. Bestow the blessing and rejoice, svāhā.” The precise meaning of anumide, which is attested in all versions, is not clear, and it is taken here as a corrupted form of anumode.
n.­28
This translation is tentative. It is unclear what the “five supports for offering” (mchod pa’i rten lnga) are. This may refer to a fivefold offering sequence for which Vajradhara assumes prior knowledge, or it may refer to the steps that follow immediately below. Both the narrative preamble to this text and the body of the main rite refer to a set of five caityas, thus the phrase mchod pa’i rten lnga could be read as “the five caityas.” However, the Tibetan translators were consistent in using mchod rten to render caitya, so the inclusion of the genitive particle in mchod pa’i rten suggests that they did not read the term caitya here.
n.­29
This can be translated as “Oṁ, vajra thread, hūṁ phaṭ.”
n.­30
This can be translated as “Oṁ, vajra stake! Drive in the stake! Bind all obstructing beings, hūṁ phaṭ!”
n.­31
This can be translated as “Oṁ, deathless one. Strike, strike, hūṁ phaṭ!”
n.­32
This can be translated as “Oṁ, vajra dig, dig, hūṁ phaṭ.”
n.­33
This translation is tentative and could also be read as “Press the seal (mudrā; phyag rgya) of Amṛtakuṇḍalin into a mallet using a three-pronged vajra.” This interpretation seems less likely, however, as the mudrā of Amṛtakuṇḍalin is more likely a physical gesture rather than an image or string of syllables to be inscribed on the mallet.
n.­34
This can be translated as “Oṁ, vajra mallet, flatten, flatten, hūṁ phaṭ.”
n.­35
This can be translated as “Oṁ, vajra knead, hūṁ phaṭ.”
n.­36
This can be tentatively translated as “Homage to the Three Jewels. It is thus: Subtle, subtle. Peaceful, peaceful. Calm, calm and composed. Fame, famous. Bright and pure, pure. All tathāgatas. Bestow the blessing. Ā, homage to you. May there be benefit.”
n.­37
This can be translated as “Oṁ, vajra life, svāhā.”
n.­38
These are the seed syllables of, respectively, the tathāgata, vajra, jewel, lotus, and karma families.
n.­39
This can be translated as “Oṁ, vajra essence, svāhā.”
n.­40
This can be translated as “Oṁ, dustless. Free of dust, svāhā.”
n.­41
This can be translated as “Oṁ, vajra mallet, flatten, flatten, hūṁ phaṭ.”
n.­42
This seems to refer to the different options of placing the mantra as stated above.
n.­43
This can be translated as “Oṁ, svāhā to the dharmadhātu, svāhā to the essence of the dharmadhātu.”
n.­44
It is not clear what ’khor lo gzugs pa refers to exactly. It has been interpreted here as a ring set above the caitya as a decorative frame on which other adornments are affixed.
n.­45
This can be translated as “Oṁ, measure, svāhā.”
n.­46
This can be translated as “Oṁ, pure nature of dharmadhātu, svāhā.”
n.­47
This describes a base marked with a grid that has squares equal in number to the caityas made. There is some confusion in the text here, as it first says that one should construct a stone base or platform (rdo’i stegs bu), before listing the different materials it can be made of.
n.­48
The idea here seems to be to first lay out the maṇḍala grid with thread, and then use the thread as a guide for drawing the grid lines.
n.­49
This can be translated as “Oṁ, remain firm, O stūpa, svāhā.”
n.­50
This can be translated as “Oṁ, arranged on vajra and lotus, svāhā.”
n.­51
This list refers to different types of ritual activities for which the caitya maṇḍala may be used.
n.­52
“Those places” (gnas de dag) seems to refer to places where the individual caityas are placed in the maṇḍala.
n.­53
This can be translated as “Oṁ, a, a moon disk, hūṁ phaṭ.”
n.­54
Equivalent, presumably, to the number of cells in the maṇḍala.
n.­55
The Tib. has the feminine term rdo rje dbyings ma, which is understood here to be feminine because it construes syntactically with the feminine term mudrā (“gesture”). This reading appears to be confirmed by the use of vajradhātu in the following mantra. Less likely, though not implausible, is that the Tib. term is equivalent to rdo rje dbying phyug ma, Vajradhātvīśvarī, a female Buddhist deity.
n.­56
This can be translated as “Oṁ, empowered as vajradhātu, hūṁ.”
n.­57
See Rospatt 1999, pp. 132–40 for other uses of the vajradhātu maṇḍala and dharmadhātu maṇḍala in caitya consecration rites.
n.­58
The syntax of this passage is challenging; thus its translation is tentative.
n.­59
This can be translated as “Oṁ, may there be complete worship with flowers, svāhā.”
n.­60
Oṁ hūṁ traṁ hrī āḥ, which was combined with the vimaloṣṇīṣa dhāraṇī and inserted into the clay, as described above.
n.­61
The main referent of this line is ambiguous. The line could plausibly read, “The rays of wisdom light return, strike the pinnacle and the heart of those caityas, and purify anything that obscures awakened activity and so forth. One should imagine that one now has the nature of vajra body, speech, and mind.”
n.­62
This can be translated as “Oṁ, deathless one, please accept this offering water, svāhā.”
n.­63
The Tibetan terminology and syntax in this line is challenging, thus the translation is tentative. The subject is not explicit but is taken here to be the pinnacles of the caityas because the rite is intended to consecrate them. It is entirely possible, however, that it is the ritual officiant who is the target of the ritual action, as the phrase dbu’i spyi bo, here translated as “pinnacles,” could naturally be read as “crown of the head.” There is also some ambiguity about the ritual action being described. The idea seems to be that one scents (bdugs) the pinnacles by pouring/sprinkling (sbrengs) the scented water over them three times.
n.­64
This reference is uncertain, thus the translation is tentative. More literally, the Tibetan phrase phyag rgya’i rgya mtsho’i sprin would read “the oceanic cloud of gestures (mudrā; phyag rgya).”
n.­65
Tib. ci mang du brjod pa. It is not clear what the number of recitations would correspond to. Perhaps it is the number of caityas in the maṇḍala.
n.­66
The source of this citation could not be identified.
n.­67
Please see the introduction about the use of this title.

b.

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Schopen, Gregory (2005). “The Bodhi­garbhālaṅkāralakṣa and Vimaloṣṇīṣa Dhāraṇīs in Indian Inscriptions: Two Sources for the Practice of Buddhism in Medieval India.” In Figments and Fragments of Mahāyāna Buddhism in India, 314–44. Honolulu: University of Hawai‘i Press, 2005.

‍—‍—‍—(2012). “Redeeming Bugs, Birds, and Really Bad Sinners in Some Medieval Mahāyāna Sūtras and Dhāraṇīs.” In Sins and Sinners: Perspectives from Asian Religions, edited by Phyllis Granoff and Koichi Shinohara, 276–92. Leiden: Brill, 2012.

von Hinüber, Oskar. “Magic Protection in the Palola Ṣāhi Kingdom: History and Context of Rakṣā Texts and Dhāraṇis in 7th Century Gilgit.” In Katā me rakkhā, katā me parittā: Protecting the Protective Texts and Manuscripts; Proceedings of the Second International Pali Studies Week Paris 2016, edited by Claudio Cicuzza, 217–37. Bangkok: Fragile Palm Leaves Foundation, Lumbini International Research Institute, 2018.

von Rospatt, Alexander. “On the Conception of the Stūpa in Vajrayāna Buddhism: The Example of the Svayambhūcaitya of Kathmandu.” Journal of the Nepal Research Centre 11 (1999): 121–47.


g.

Glossary

g.­1

Affliction

  • nyon mongs pa
  • ཉོན་མོངས་པ།
  • kleśa

Definition from the 84000 Glossary of Terms:

The essentially pure nature of mind is obscured and afflicted by various psychological defilements, which destroy the mind’s peace and composure and lead to unwholesome deeds of body, speech, and mind, acting as causes for continued existence in saṃsāra. Included among them are the primary afflictions of desire (rāga), anger (dveṣa), and ignorance (avidyā). It is said that there are eighty-four thousand of these negative mental qualities, for which the eighty-four thousand categories of the Buddha’s teachings serve as the antidote.

Kleśa is also commonly translated as “negative emotions,” “disturbing emotions,” and so on. The Pāli kilesa, Middle Indic kileśa, and Sanskrit kleśa all primarily mean “to soil,” “to stain,” or “to defile.” The translation “affliction” is a secondary development that derives from the more general (non-Buddhist) classical understanding of kliś (“to harm,“ “to afflict”). Both meanings are noted by Buddhist commentators.

3 passages contain this term:

  • 1.­12
  • 1.­19
  • g.­5

Links to further resources:

  • 60 related glossary entries
g.­2

Akṣobhya

  • mi ’khrugs pa
  • མི་འཁྲུགས་པ།
  • Akṣobhya

A tathāgata and important esoteric deity. Among the five families, he is head of the vajra family.

2 passages contain this term:

  • 1.­2
  • g.­15

Links to further resources:

  • 35 related glossary entries
g.­3

Amitābha

  • ’od dpag med
  • འོད་དཔག་མེད།
  • Amitābha

Also known as Amitāyus, he is a tathāgata associated with longevity. Among the five families, he is the head of the lotus family.

2 passages contain this term:

  • 1.­2
  • g.­15

Links to further resources:

  • 37 related glossary entries
g.­4

Amṛtakuṇḍalin

  • bdud rtsi ’khyil pa
  • བདུད་རྩི་འཁྱིལ་པ།
  • Amṛtakuṇḍalin

An esoteric deity counted among the eight or ten dispellers of obstacles (vighnāntaka) .

4 passages contain this term:

  • 1.­19
  • 1.­20
  • 1.­21
  • n.­33
g.­5

Arhat

  • dgra bcom pa
  • དགྲ་བཅོམ་པ།
  • arhat

Definition from the 84000 Glossary of Terms:

According to Buddhist tradition, one who is worthy of worship (pūjām arhati), or one who has conquered the enemies, the mental afflictions or emotions (kleśa-ari-hata-vat), and reached liberation from the cycle of rebirth and suffering. It is the fourth and highest of the four fruits attainable by śrāvakas. Also used as an epithet of the Buddha.

2 passages contain this term:

  • 1.­13
  • g.­14

Links to further resources:

  • 96 related glossary entries
g.­6

Asura

  • lha ma yin
  • ལྷ་མ་ཡིན།
  • asura

Definition from the 84000 Glossary of Terms:

A type of nonhuman being whose precise status is subject to different views, but is included as one of the six classes of beings in the sixfold classification of realms of rebirth. In the Buddhist context, asuras are powerful beings said to be dominated by envy, ambition, and hostility. They are also known in the pre-Buddhist and pre-Vedic mythologies of India and Iran, and feature prominently in Vedic and post-Vedic Brahmanical mythology, as well as in the Buddhist tradition. In these traditions, asuras are often described as being engaged in interminable conflict with the devas (gods).

2 passages contain this term:

  • 1.­8
  • 1.­17

Links to further resources:

  • 106 related glossary entries
g.­7

Avalokiteśvara

  • spyan ras gzigs
  • སྤྱན་རས་གཟིགས།
  • Avalokiteśvara

One of the most popular bodhisattvas in the Mahāyāna Buddhist pantheon and one of the eight “close sons” of the Buddha. He is regarded as the embodiment of compassion.

2 passages contain this term:

  • 1.­2
  • 1.­3

Links to further resources:

  • 58 related glossary entries
g.­8

Blessed one

  • bcom ldan ’das
  • བཅོམ་ལྡན་འདས།
  • bhagavat

Definition from the 84000 Glossary of Terms:

In Buddhist literature, an epithet applied to buddhas, most often to Śākyamuni. The Sanskrit term generally means “possessing fortune,” but in specifically Buddhist contexts it implies that a buddha is in possession of six auspicious qualities (bhaga) associated with complete awakening. The Tibetan term‍—where bcom is said to refer to “subduing” the four māras, ldan to “possessing” the great qualities of buddhahood, and ’das to “going beyond” saṃsāra and nirvāṇa‍—possibly reflects the commentarial tradition where the Sanskrit bhagavat is interpreted, in addition, as “one who destroys the four māras.” This is achieved either by reading bhagavat as bhagnavat (“one who broke”), or by tracing the word bhaga to the root √bhañj (“to break”).

5 passages contain this term:

  • 1.­1
  • 1.­3
  • 1.­4
  • 1.­5
  • 1.­6

Links to further resources:

  • 116 related glossary entries
g.­9

Brahmā

  • tshangs pa
  • ཚངས་པ།
  • Brahmā

One of the primary deities of the Brahmanical pantheon, in which he is considered a creator god. Brahmā occupies an important place in Buddhism as one of two deities (the other being Śakra) who are said to have first exhorted Śākyamuni to teach the Dharma. He is also considered to be the “lord of the Sahā world” (our universe).

2 passages contain this term:

  • 1.­3
  • n.­16

Links to further resources:

  • 125 related glossary entries
g.­10

Caitya

  • mchod rten
  • མཆོད་རྟེན།
  • caitya

A general term for any structure or site that is deemed worthy of veneration. In Tibetan, the term can be literally translated as “a basis of worship.” Such a site can be naturally occurring but is more typically a structure erected for the purpose of worship. This can be a mound, a shrine, or other generically shaped structure, but in most Buddhist contexts is identified with the domed structure also known as a stūpa. Both caitya and stūpa are translated into Tibetan with the term mchod rten, but a stūpa is a subcategory of caitya that specifically contains a relic of the Buddha, another tathāgata, or another sacred person.

49 passages contain this term:

  • s.­1
  • i.­1
  • i.­2
  • i.­4
  • i.­5
  • i.­6
  • i.­7
  • 1.­3
  • 1.­4
  • 1.­5
  • 1.­6
  • 1.­8
  • 1.­9
  • 1.­10
  • 1.­11
  • 1.­12
  • 1.­13
  • 1.­14
  • 1.­15
  • 1.­18
  • 1.­24
  • 1.­25
  • 1.­26
  • 1.­27
  • 1.­28
  • 1.­29
  • 1.­30
  • 1.­31
  • 1.­32
  • 1.­33
  • 1.­34
  • 1.­37
  • 1.­38
  • 1.­39
  • 1.­40
  • 1.­41
  • 1.­42
  • 1.­43
  • 1.­44
  • n.­25
  • n.­28
  • n.­44
  • n.­47
  • n.­51
  • n.­52
  • n.­57
  • n.­61
  • n.­63
  • n.­65

Links to further resources:

  • 49 related glossary entries
g.­11

Dharmadhātu

  • chos kyi dbyings
  • ཆོས་ཀྱི་དབྱིངས།
  • dharmadhātu

A technical term used to express ultimate reality. It is interpreted variously‍—given the many connotations of dharma/chos‍—as the sphere, element, or nature of phenomena, reality, or truth.

12 passages contain this term:

  • 1.­11
  • 1.­24
  • 1.­28
  • 1.­39
  • 1.­41
  • n.­20
  • n.­22
  • n.­43
  • n.­46
  • g.­12
  • g.­18
  • g.­47

Links to further resources:

  • 59 related glossary entries
g.­12

Dharmadhātu maṇḍala

  • chos kyi dbyings kyi dkyil ’khor
  • ཆོས་ཀྱི་དབྱིངས་ཀྱི་དཀྱིལ་འཁོར།
  • dharmadhātu­maṇḍala

In this text, the term may refer to the dharmadhātu generically, or it may be the name of the specific maṇḍala associated with Dharmadhātu Vāgīśvara Mañjuśrī, the first of the seven principal maṇḍalas of the Mañjuśrī­nāma­saṅgīti (Toh 360).

2 passages contain this term:

  • 1.­37
  • n.­57
g.­13

Dharmakāya

  • chos kyi sku
  • ཆོས་ཀྱི་སྐུ།
  • dharmakāya

In distinction to the rūpakāya, or form body of a buddha, this is the eternal, imperceivable realization of a buddha. In origin it was a term for the presence of the Dharma, and it has since become synonymous with the true nature.

4 passages contain this term:

  • i.­4
  • 1.­4
  • 1.­25
  • 1.­26

Links to further resources:

  • 31 related glossary entries
g.­14

Five acts with immediate retribution

  • mtshams med pa lnga
  • མཚམས་མེད་པ་ལྔ།
  • pañcānantaryakarman

These are five acts that, due to the severity of their transgression, will cause immediate rebirth in Avīci, the deepest of hells. The acts classically listed that lead to such rebirth are (1) killing one’s father, (2) killing one’s mother, (3) killing an arhat, (4) shedding a buddha’s blood with malicious intent, and (5) causing a schism in the saṅgha.

2 passages contain this term:

  • 1.­6
  • 1.­45

Links to further resources:

  • 28 related glossary entries
g.­15

Five families

  • rigs lnga
  • རིགས་ལྔ།
  • pañcakula

The tathāgata, vajra, jewel, lotus, and karma families. Each of these families is associated with a specific direction, type of activity, and mode of awakened wisdom, and each is headed by a specific tathāgata. When displayed in maṇḍala formation, Vairocana heads the tathāgata family at the center, and Akṣobhya presides over the vajra family in the east, Ratnasambhava over the jewel family in the south, Amitābha/Amitāyus over the lotus family in the west, and Amoghasiddhi over the karma family in the north. In maṇḍalas associated with the Mahāyoga tantras, Vairocana and Akṣobhya switch places.

6 passages contain this term:

  • i.­7
  • 1.­23
  • 1.­39
  • g.­2
  • g.­3
  • g.­18

Links to further resources:

  • 1 related glossary entry
g.­16

Five great elements

  • ’byung ba chen po
  • ’byung ba chen po lnga po
  • འབྱུང་བ་ཆེན་པོ།
  • འབྱུང་བ་ཆེན་པོ་ལྔ་པོ།
  • mahābhūta
  • pañcamahābhūta

The gross elements of earth, water, fire, wind, and space.

1 passage contains this term:

  • 1.­12
g.­17

Five precious substances

  • rin po che sna lnga
  • རིན་པོ་ཆེ་སྣ་ལྔ།
  • —

3 passages contain this term:

  • 1.­18
  • 1.­21
  • 1.­33
g.­18

Five wisdoms

  • ye shes lnga
  • ཡེ་ཤེས་ལྔ།
  • pañcajñāna

The five wisdoms each express a distinct quality of awakened cognition associated with one of the buddhas of the five families. The five are (1) the wisdom of the dharmadhātu (dharmadhātu­jñāna; chos kyi dbyings kyi ye shes), (2) mirror-like wisdom (ādarśajñāna; me long lta bu’i ye shes), (3) the wisdom of equality (samatājñāna; mnyam nyid ye shes), (4) the wisdom of thorough discrimination (pratyavekṣaṇājñāna; so sor rtog pa’i ye shes), and (5) the wisdom of accomplishing activities (kṛtyānuṣṭhānajñāna; bya ba grub pa’i ye shes).

1 passage contains this term:

  • 1.­39
g.­19

Four Great Kings

  • rgyal po chen po bzhi
  • རྒྱལ་པོ་ཆེན་པོ་བཞི།
  • Cāturmahārāja

The four divine kings who preside over the lowest of the god realms, which are located on the slopes of Mount Meru: Dhṛtarāṣṭra in the east, Virūḍhaka in the south, Virūpākṣa in the west, and Vaiśravaṇa in the north.

2 passages contain this term:

  • 1.­3
  • n.­16

Links to further resources:

  • 44 related glossary entries
g.­20

Great seal

  • phyag rgya chen po
  • ཕྱག་རྒྱ་ཆེན་པོ།
  • mahāmudrā

An important and polyvalent term in esoteric Buddhist literature, it is used here to refer to the form of Vajradhara as a “seal” of ultimate reality that one adopts in one’s meditative practice.

1 passage contains this term:

  • 1.­35

Links to further resources:

  • 4 related glossary entries
g.­21

Habitual tendencies

  • bag chags
  • བག་ཆགས།
  • vāsanā

Karmic traces or residues imprinted by past actions that manifest as tendencies predisposing one to particular patterns of behavior.

1 passage contains this term:

  • 1.­19

Links to further resources:

  • 11 related glossary entries
g.­22

Maitreya

  • byams pa
  • བྱམས་པ།
  • Maitreya

The future buddha, he resides in Tuṣita heaven until his rebirth as the fifth of the thousand buddhas to appear in this eon.

1 passage contains this term:

  • 1.­3

Links to further resources:

  • 83 related glossary entries
g.­23

Mañjuśrī

  • ’jam dpal
  • འཇམ་དཔལ།
  • Mañjuśrī

A great bodhisattva and one of the eight “close sons” of the Buddha. He is regarded as the embodiment of wisdom.

2 passages contain this term:

  • 1.­3
  • g.­12

Links to further resources:

  • 109 related glossary entries
g.­24

Mount Meru

  • ri rab
  • རི་རབ།
  • Meru

The mountain at the center of the world in Buddhist cosmology.

3 passages contain this term:

  • 1.­3
  • n.­16
  • g.­19

Links to further resources:

  • 70 related glossary entries
g.­25

Nāga

  • klu
  • ཀླུ།
  • nāga

A semidivine class of beings who live in subterranean aquatic environments and are known to hoard wealth and esoteric teachings. Associated with snakes and serpents, they can both obstruct and protect human life.

1 passage contains this term:

  • 1.­17

Links to further resources:

  • 91 related glossary entries
g.­26

Oblation

  • gtor ma
  • གཏོར་མ།
  • bali

An offering of food items made to deities or spirits. Such an oblation may be elaborate and use multiple kinds of food articles, or it may simply be a ritual cake.

1 passage contains this term:

  • 1.­17

Links to further resources:

  • 9 related glossary entries
g.­27

Obscuration

  • sgrib pa
  • སྒྲིབ་པ།
  • āvaraṇa

The obscurations to liberation and omniscience. They are generally categorized as two types: afflictive obscurations (kleśāvaraṇa), the arising of afflictive emotions, and cognitive obscurations (jñeyāvaraṇa), those caused by misapprehension and incorrect understanding of the nature of reality.

1 passage contains this term:

  • 1.­12

Links to further resources:

  • 14 related glossary entries
g.­28

Offering water

  • ar+g+ha
  • ཨརྒྷ།
  • argha

Water used ritually to receive or welcome deities and other beings into the ritual environment. It parallels the practice of offering washing water to a guest when they first arrive in one’s home.

2 passages contain this term:

  • 1.­40
  • n.­62
g.­29

Pure abodes

  • gtsang ris
  • གཙང་རིས།
  • śuddhāvāsa

Usually referring to the last five of the seventeen realms of the form realm (rūpadhātu) and often equated with Akaniṣṭha, which is the first of the highest five. In this text, the expression seems to refer to the heavens in the desire realm (kāmadhātu). See n.­16.

2 passages contain this term:

  • 1.­3
  • n.­16

Links to further resources:

  • 33 related glossary entries
g.­30

Śakra

  • brgya byin
  • བརྒྱ་བྱིན།
  • Śakra

An alternative name for Indra, one of the most important gods in the Vedic pantheon. Śakra retains his role as the “Lord of the Gods” in Buddhist literature, where he presides over the Heaven of the Thirty-Three.

3 passages contain this term:

  • 1.­3
  • n.­16
  • g.­9

Links to further resources:

  • 107 related glossary entries
g.­31

Samādhi

  • ting nge ’dzin
  • ཏིང་ངེ་འཛིན།
  • samādhi

A state of deep meditative immersion that results from different modes of Buddhist practice.

4 passages contain this term:

  • 1.­35
  • 1.­39
  • 1.­41
  • 1.­42

Links to further resources:

  • 76 related glossary entries
g.­32

Samantabhadra offering clouds

  • kun du bzang po’i mchod pa’i sprin phung
  • ཀུན་དུ་བཟང་པོའི་མཆོད་པའི་སྤྲིན་ཕུང་།
  • samantabhadra­pūja­megha

The mode of making offerings in the mode of the bodhisattva Samantabhadra, who emanated exponentially proliferating clouds of offerings.

1 passage contains this term:

  • 1.­38
g.­33

Seven precious substances

  • rin po che sna bdun
  • རིན་པོ་ཆེ་སྣ་བདུན།
  • saptaratna

The list varies, but it often consists of gold, silver, turquoise, coral, pearl, emerald, and sapphire.

1 passage contains this term:

  • 1.­12

Links to further resources:

  • 43 related glossary entries
g.­34

Spell

  • rig pa
  • rig sngags
  • རིག་པ།
  • རིག་སྔགས།
  • vidyā

A type of mantra-like formula that is used to accomplish a ritual goal. It can be associated with either ordinary attainments or the goal of awakening.

29 passages contain this term:

  • 1.­5
  • 1.­6
  • 1.­8
  • 1.­10
  • 1.­11
  • 1.­12
  • 1.­13
  • 1.­14
  • 1.­15
  • 1.­16
  • 1.­19
  • 1.­20
  • 1.­21
  • 1.­22
  • 1.­23
  • 1.­24
  • 1.­25
  • 1.­26
  • 1.­27
  • 1.­28
  • 1.­31
  • 1.­33
  • 1.­34
  • 1.­37
  • 1.­38
  • 1.­40
  • 1.­42
  • n.­20
  • n.­25

Links to further resources:

  • 18 related glossary entries
g.­35

Śrāvaka

  • nyan thos
  • ཉན་ཐོས།
  • śrāvaka

Someone who practices according to the Vehicle of the Hearers (those who hear the teachings from others); or, someone who heard the Dharma from the Buddha.

2 passages contain this term:

  • 1.­13
  • g.­5

Links to further resources:

  • 102 related glossary entries
g.­36

Śrīvatsa

  • dpal gyi be’u
  • དཔལ་གྱི་བེའུ།
  • śrīvatsa

One of the eighty minor marks of a great being, it is a swirl of hair in the center of the chest, a symbol shared by the Brahmanical deity Viṣṇu. It is often symbolically referred to as an “endless knot.”

1 passage contains this term:

  • 1.­4

Links to further resources:

  • 10 related glossary entries
g.­37

Stage of nonregression

  • phyir mi ldog pa’i sa
  • ཕྱིར་མི་ལྡོག་པའི་ས།
  • avaivartika

A stage on the bodhisattva path on which the practitioner will never turn back, or be turned back, from progress toward the full awakening of a buddha.

1 passage contains this term:

  • 1.­12

Links to further resources:

  • 6 related glossary entries
g.­38

Ten stages

  • sa bcu rim
  • ས་བཅུ་རིམ།
  • daśabhūmi

The ten stages of a bodhisattva’s progress to buddhahood: (1) Joyous (Pramuditā), (2) Stainless (Vimalā), (3) Luminous (Prabhākarī), (4) Radiant (Arciṣmatī), (5) Hard to Overcome (Sudurjayā), (6) Manifest (Abhimukhī), (7) Far-Reaching (Dūraṅgamā), (8) Immovable (Acalā), (9) Good Intellect (Sādhumatī), and 10) Dharma Cloud (Dharmameghā).

1 passage contains this term:

  • 1.­12

Links to further resources:

  • 12 related glossary entries
g.­39

Ten unwholesome deeds

  • mi dge ba bcu
  • མི་དགེ་བ་བཅུ།
  • daśākuśalakarman

The ten negative actions to be avoided. Traditionally these are listed according to the threefold distinction of body, speech, and mind. The ten are (1) killing, (2) stealing, (3) sexual misconduct, (4) lying, (5) slanderous speech, (6) harsh speech, (7) meaningless speech, (8) covetousness, (9) ill will, and (10) wrong views.

1 passage contains this term:

  • 1.­6

Links to further resources:

  • 6 related glossary entries
g.­40

Three families

  • rigs gsum
  • རིགས་གསུམ།
  • trikula

Three families‍—tathāgata, vajra, and lotus‍—into which esoteric Buddhist deities are classified.

2 passages contain this term:

  • 1.­2
  • n.­14
g.­41

Three Jewels

  • dkon mchog gsum
  • དཀོན་མཆོག་གསུམ།
  • Triratna

The three objects of refuge: the Buddha, the Dharma (his teachings), and the Saṅgha (the Buddhist community).

4 passages contain this term:

  • 1.­1
  • 1.­2
  • 1.­48
  • n.­36

Links to further resources:

  • 14 related glossary entries
g.­42

Trichiliocosm

  • stong gsum gyi stong chen po’i ’jig rten gyi khams
  • སྟོང་གསུམ་གྱི་སྟོང་ཆེན་པོའི་འཇིག་རྟེན་གྱི་ཁམས།
  • trisāhasra­mahāsāhasra­loka­dhātu

A universe containing one billion worlds.

1 passage contains this term:

  • 1.­4

Links to further resources:

  • 51 related glossary entries
g.­43

Universal Light

  • kun tu ’od
  • ཀུན་ཏུ་འོད།
  • Samantaprabhā

The eleventh bodhisattva level, it is the level on which buddhahood is attained.

1 passage contains this term:

  • 1.­12

Links to further resources:

  • 3 related glossary entries
g.­44

Universal monarch

  • ’khor los sgyur ba’i rgyal po
  • འཁོར་ལོས་སྒྱུར་བའི་རྒྱལ་པོ།
  • cakravartin

Definition from the 84000 Glossary of Terms:

The term “universal monarch” denotes a just and pious king who rules over the universe according to the laws of Dharma. Such a monarch is called a cakravartin because he wields a disk (cakra) that rolls (vartana) over continents, worlds, and world systems, bringing them under his power. A universal monarch is often considered the worldly, political correlate of a buddha. (Provisional 84000 definition. New definition forthcoming.)

1 passage contains this term:

  • 1.­46

Links to further resources:

  • 58 related glossary entries
g.­45

Uṣṇīṣa

  • uSh+NI Sha
  • gtsug tor
  • ཨུཥྞཱི་ཥ།
  • གཙུག་ཏོར།
  • uṣṇīṣa

One of the thirty-two signs of a great being. In its simplest form it is that the head has a heightened or pointed shape (like a turban). More elaborately it refers to a dome-shaped extension of the top of the head, or even to an invisible extension of immense height.

6 passages contain this term:

  • s.­1
  • i.­1
  • i.­4
  • 1.­4
  • n.­18
  • n.­20

Links to further resources:

  • 26 related glossary entries
g.­46

Vajradhara

  • rdo rje ’dzin pa
  • རྡོ་རྗེ་འཛིན་པ།
  • Vajradhara

In tantric traditions, the name of a primordial buddha.

12 passages contain this term:

  • i.­4
  • i.­5
  • i.­6
  • i.­7
  • i.­8
  • 1.­1
  • 1.­3
  • 1.­12
  • 1.­35
  • n.­26
  • n.­28
  • g.­20

Links to further resources:

  • 1 related glossary entry
g.­47

Vajradhātu

  • rdo rje dbyings ma
  • རྡོ་རྗེ་དབྱིངས་མ།
  • vajradhātu

A technical term roughly equivalent with dharmadhātu and most probably to be understood in the context of the respective maṇḍala central to many Yoga tantras.

4 passages contain this term:

  • 1.­37
  • n.­55
  • n.­56
  • n.­57

Links to further resources:

  • 1 related glossary entry
g.­48

Vajrapāṇi

  • lag na rdo rje
  • ལག་ན་རྡོ་རྗེ།
  • Vajrapāṇi

Vajrapāṇi appears throughout Buddhist literature in the overlapping roles of a yakṣa, bodhisattva, and esoteric deity. As the latter, he is frequently an interlocutor in and transmitter of tantric scripture.

3 passages contain this term:

  • i.­4
  • 1.­3
  • 1.­5

Links to further resources:

  • 37 related glossary entries
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